nav emailalert searchbtn searchbox tablepage yinyongbenwen piczone journalimg journalInfo searchdiv qikanlogo popupnotification paper paperNew
2013, 06, v.35;No.143 66-68
“时代女性”:镜像与自我——论茅盾《蚀》三部曲的创作心理
基金项目(Foundation):
邮箱(Email):
DOI: 10.16393/j.cnki.37-1436/z.2013.06.009
摘要:

《蚀》三部曲一举成就了茅盾的小说家之名,且产生了广泛而长久的文学影响。从创作心理上看,茅盾通过《蚀》三部曲营造了一面"镜子",追求主体的统一,想象更加成熟的理想自我。通过对照"时代女性"形象,茅盾终于摆脱了"迷狂"状态,走出了心理上的低谷,这也昭示着"《子夜》时代"的到来。

Abstract:

Mao Dun'novel trilogy Eclipse,by which he came to fame,has made a big and long literature influence. From the view of creative psychology,the novel trilogy Eclipse was a mirror made by Mao Dun to image a more unified and ideal selfhood. By means of contrasting with the mirror image"Modern Women",Man Dun got rid of the state of wildering,walked out the mentally low ebb,and it betokened that the Midnight Time was coming.

参考文献

[1]茅盾.从牯岭到东京[M]//茅盾全集:第19卷.北京:人民文学出版社,1991.

[2]钱杏邨.从东京回到武汉[G]//唐金海,孔海珠.茅盾专集:第二卷:上.福州:福建人民出版社,1985.

基本信息:

DOI:10.16393/j.cnki.37-1436/z.2013.06.009

中图分类号:I207.42

引用信息:

[1]宋宁.“时代女性”:镜像与自我——论茅盾《蚀》三部曲的创作心理[J].菏泽学院学报,2013,35(06):66-68.DOI:10.16393/j.cnki.37-1436/z.2013.06.009.

基金信息:

检 索 高级检索

引用

GB/T 7714-2015 格式引文
MLA格式引文
APA格式引文