二元对立视角下《房间》解析Interpretation of The Room from the Perspective of Binary Opposition
陈悠然
摘要(Abstract)：
运用二元对立理论将品特的《房间》从危险对话和诡异空间两个角度分为对立组,发现对话可以成为一种危险的、操纵人意识的武器;房间的内外空间既是现在与过去,也是禁锢与解脱。女主角罗斯是每个普通人的缩影。《房间》让我们看到人就像面对阳光奔跑的人,背后总有无法摆脱的黑影,然而正是这黑影让人更加珍惜和热爱光明。
关键词(KeyWords)： 《房间》;二元对立;对话;空间
基金项目(Foundation):
作者(Author): 陈悠然
DOI: 10.16393/j.cnki.37-1436/z.2020.01.028
参考文献(References)：
- [1]孙琦．流沙上的博弈:哈罗德·品特早期戏剧研究．[M]．北京外语教学与研究出版社．2012:71.
- [2][7][8][12]Pinter,Harold. Celebration&The Room[M]. London:Faber and Faber,2000:6-15.
- [3][4][13]Pinter,Harold. Various Voices[M]. New York:Grove Press,1998:15-60.
- [5]Rosca,Alina-Elena. Multi-levelled Representations of Power in Harold Pinter’s Plays[J]. Petroleum and Gas University of Ploiesti. 2009(2):91-98.
- [6]Esslin,Martin. The Theatre of Absurd[M]. London:Pelican Books,1968:66.
- [9]Garner,Stanton B. Bodied. Phenomenology and Performance Spaces in Contemporary Drama[M]. London:Cornell University Press,1994:198.
- [10]Rayner,Alice. Harold Pinter:Narrative and Presence[J]. Theatre Journal,1988,4(4):482-497.
- [11]Dukore,Bernard F. Harold Pinter[M]. London:Macmillan,1982:25.
- [14]Ganguly,Santanu. Physical verse Supernatural communication in Harold Pinter’s play The Room[J]. Global Media Journal-Indian Edition. 2013(4):1-8.
- [15]Kohzadi Hamedreza,Fatemeh Azizmohammadi,and Seyed Abolfazl Makki. Alienation in Harold Pinter’s The Room[J]. Journal of Basic and Applied Scientific Research. 2012,2(2):1690-1695.